Grazyna Bacewicz (1909–1969), a Polish composer and violinist, made a significant impact on 20th-century classical music. Born in Łódź, Bacewicz began her musical studies at an early age, eventually becoming one of the most prominent Polish composers of her generation. Known for her prolific output and versatility, Bacewicz’s compositions encompassed various genres, including chamber music, orchestral works, and solo pieces. “Stained-glass window” is a composition that exemplifies Bacewicz’s unique voice and her exploration of contemporary idioms within the mid-20th-century classical context.
“Stained-glass window” by Grazyna Bacewicz is a striking example of her modernist approach to composition. The piece, likely inspired by visual art, features dissonant harmonies, angular melodies, and intricate textures. Bacewicz’s exploration of timbral possibilities and her use of extended instrumental techniques contribute to the work’s contemporary character. The title suggests a connection to visual aesthetics, and Bacewicz translates this inspiration into a vivid sonic tapestry. The composition is marked by its evocative atmosphere and a sense of colour, mirroring the qualities of stained glass. “Stained-glass window” stands as a testament to Bacewicz’s ability to push the boundaries of tonality and form, making a lasting contribution to the repertoire of 20th-century classical music.