Howells – Like as the hart desireth the waterbrooks (1941) 

Herbert Howells (1892–1983), an influential English composer of the 20th century, left an indelible mark on the choral and organ repertoire. Born in Gloucestershire, Howells’ early exposure to the rich choral tradition of English cathedrals profoundly influenced his musical style. His compositions, known for their lush harmonies and poignant lyricism, showcase an emotional depth that resonates with audiences and performers alike. 

“Howells’ “Like as the Hart Desireth the Waterbrooks,” composed in 1941 as part of a set of four anthems, is a setting of Psalm 42 which encapsulates Howells’ ability to evoke a profound spiritual atmosphere through music. 

The work unfolds with a tapestry of rich harmonies, intricate counterpoint, and dynamic contrasts, reflecting the text’s longing for spiritual nourishment. Howells’ expressive use of modal inflections and lush dissonances contributes to the emotional impact of the composition. The intricate interplay between voices and the masterful handling of the choral forces result in a work that resonates with both its textual and musical depth. 

Music scholars delve into “Like as the Hart Desireth the Waterbrooks” to explore Howells’ intricate craftsmanship, innovative harmonic language, and his unique ability to convey profound spiritual and emotional sentiments within the choral medium. This piece stands as a quintessential example of Howells’ contribution to the English choral tradition, marking him as a revered figure in the realm of sacred choral music.