Still – Symphony No.2 ‘Song of a New Race’ (1937) 

William Grant Still (1895–1978), a pioneering African American composer, conductor, and oboist, emerged as a prominent figure during the early to mid-20th century. In a time marked by racial and cultural challenges, Still’s works played a vital role in breaking down barriers.

A contemporary of George Gershwin and Aaron Copland, Still became the first African American to conduct a major American symphony orchestra and to have an opera produced by a major company. His compositions often bridged the gap between the Western classical tradition and the rich tapestry of African American musical idioms, drawing inspiration from jazz, blues, and spirituals. 

During the era when Still composed his Symphony No.2 “Song of a New Race” in 1937, the United States was grappling with the Great Depression and the lingering effects of segregation. Against this backdrop, Still’s symphony emerged as a powerful statement of resilience and hope.

The work encapsulates a synthesis of Western classical forms with African American musical elements, reflecting the composer’s commitment to celebrating the cultural diversity of America. In this context, Still’s Symphony No.2 stands as a testament to his trailblazing contributions to American classical music, challenging conventions and fostering a unique synthesis of cultural influences. 

Symphony No.2 “Song of a New Race” is a compelling musical exploration that transcends traditional boundaries. The first movement, marked by rhythmic vitality and syncopated themes, resonates with jazz influences, while the second movement introduces spiritual-like melodies, creating a poignant contrast. The third movement builds on these themes, leading to a triumphant finale that reflects Still’s optimistic vision of a harmonious future.

When compared to contemporaneous works like Copland’s “Appalachian Spring” or Gershwin’s “Porgy and Bess,” Still’s Symphony No.2 stands out for its distinct synthesis of American musical idioms, making a unique contribution to the evolving landscape of 20th-century American classical music. The symphony, with its rich orchestration and thematic depth, serves as a testament to Still’s ability to weave cultural diversity into the fabric of the symphonic tradition.