Clara Schumann’s 3 Romances, Op. 21 (1853, published 1855) are a set of three expressive piano pieces dedicated to Johannes Brahms. Composed during a period of personal turmoil, these romantic, challenging works showcase her mature style, featuring a wide expressive range that foreshadows Brahmsian sonorities.
- Composition Context: Written in 1853 while her husband, Robert Schumann, was in a sanitarium, the pieces reflect themes of sadness, nostalgia, and love.
- Structure:
- I. Andante in A minor (formerly C major): A,poignant, lyrical piece.
- II. Allegretto: Scherzo form: A shorter, lighter interlude.
- III. Agitato: The final piece, which contains thematic references to Robert Schumann’s Carnaval.
- Style and Technique: The pieces require significant technical skill, including large spans and complex, expressive phrasing. They demonstrate a “delicate and fragrant” style that bridges romanticism with the Brahmsian, late-romantic piano style.
- Significance: They are considered some of Clara Schumann’s last major works for piano, standing out for their emotional depth and technical,, almost, Lisztian,, demands.
These pieces should not be confused with her earlier 3 Romances for Violin and Piano, Op. 22, also from 1853.